Thus far it only supports Oculus Rift, and I don’t own one, but a Vive version is due further down the line. Apollo 11 is intended to be a start-to-finish simulation of the first moon landing, mixing historical audio of Armstrong & Aldrin with both meticulously detailed recreations of the craft and devices they used and impossibly dramatic camera angles. It’s also, like almost everything else I’ve tried, an all-too-able demonstration of current VR’s limitations, but I guess I’m starting to take that for granted now.Note: I haven’t yet played ADR1FT, which aims for a similarly long-term but rather more interactive take on VR spacefaring. Apollo 11 vr playstation controller. It’s a signpost to a VR future which simulates fantastic voyages, not simply hands-off lollygagging at something for a heartbeat.

Kanon Wakeshima just updated the release details for her new double-A side single, “Foul Play ni Kurari / Sakura Meikyu” – cover jackets are revealed. The single is her first release since July 2010 and both songs have tie-ins – track “Foul Play ni Kurari” will be featured as the ending theme for Fall anime To Love-Ru Darkness and track “Sakura Meikyu” is featured as theme song. Foul Play ni Kurari - Mesmerised by Foul Play, Ending Theme, To LOVE-ru -Trouble- Darkness, lyrics,song lyrics,music lyrics,lyric songs,lyric search,words to song,song words,anime music.

The Blu-ray format arrived on June 20, 2006 — that’s a whopping 12 years ago for those of you who struggle with mental math — but there is still an abundance of films that have yet to see a release in that format. Ask a physical media collector which movies they’re hoping to see get the treatment and their list will probably begin with the likes of The Abyss (1989) and True Lies (1994), but my wish list is a bit less James Cameron-heavy. For me it’s all about After Hours (1985), Something Wicked This Way Comes (1983), and a pair of romantic comedies starring Goldie Hawn and Chevy Chase.Seems Like Old Times (1980) is beloved by everyone who’s seen it, and for good reason. It’s sweet, energetic, propelled by stellar turns from Hawn, Chase, Charles Grodin, and Robert Guillaume, and it’s gifted with an incredible wit by writer Neil Simon.

It’s so damn good that it doesn’t need me to defend it. Foul Play, though, from 1978, could use the boost.“ A shy San Francisco librarian and a bumbling cop fall in love as they solve a crime involving albinos, dwarves, and the Catholic Church.

”Look, the ‘70s were a different world. This is the official IMDb plot synopsis, and it’s probably already clear why the film’s the far less respected of the two. Making this today would require swapping out the albino and the dwarf for a blonde vegan and a millennial. It’s every bit a product of its time, but while some of its elements are clearly dated, I’m here to suggest it’s actually a good time at the movies.I’ll start my argument by pointing out that the film is the brainchild of writer/director Colin Higgins, and if his name doesn’t ring a bell I’m betting his filmography will.

He only made five features, but they’re a memorable lot. Higgins wrote Harold & Maude (1971) and Silver Streak (1976), and he both wrote and directed 9 to 5 (1980) and The Best Little Whorehouse in Texas (1982). That’s a fairly brilliant run of comedies, and Foul Play was released right in the middle as Higgins’ directorial debut.The film is a rom-com at heart as evidenced by the by the legendary Barry Manilow, and we’re introduced right up front to our two hopeful lovebirds at a party in San Francisco. Gloria Mundy (Hawn) is a recently divorced librarian and Tony Carlson (Chase) is a recently suspended detective — why are they guests at the same party? No clue, but they make eye contact, Tony knocks over a bar’s worth of glasses and bottles to remind you that he’s played by Chevy Chase, and they’re off to the races.

World CD premiere of exciting soundtrack for hip Colin Higgins screwball comic thriller with Goldie Hawn, Chevy Chase, Dudley Moore. Fox plays to both screenplay antics, Hitchcockian assassination thrills, creates musical havoc via nerve-wracking action set-pieces, dark menace.

In balance is warm, melancholy Oscar-nominated (and chart-busting) theme melody 'Ready To Take A Chance Again' sung by Barry Manilow. Flashy highlight has Fox turning quasi-Gilbert & Sullivan theater music into rollicking action finale.

Intrada presents complete album as released on Arista label, re-masters program from flawless original stereo masters housed in Sony Music vaults. Original LP artwork plus fun notes by Daniel Schweiger complete this handsome package. And as anyone who's seen the film knows. Beware of the dwarf!